What was that?! It was just SO MUCH. It was a bit like having The Pandorica Opens as the season opener. I’m not gonna lie, I really need to see it again to get any settled, strong opinions. Need to let it all simmer and settle. I NEED TO SEE PART TWO! Perhaps more so than most two-parters, I need the full picture.
Okay, so here are a few (slightly half-formed….) (okay, very half-formed) first thoughts after watching this crazy beast just the once.
My main takeaway is that it was like the dark, deep season 8, coupled with the wild colour of season 5. Yes, dark AND colourful. The double. Moffat is taking everything he’s done and squishing it into one. It’s a giant, bold way to open a season. It takes no prisoners and doesn’t gently hold the hand of any newcomers. (And is Who the ONLY show that reviewers obsessively worry about what new viewers will make of it?)( They’ll think ‘What the heck was that pile of crazy? I need to catch up.’ Give ’em SOME credit, guyz.) (Alright, alright, if it neglects new fans, it’ll die. I get it.)(But also, COME ON.)(Has this got annoying yet?)(Yes?)(Okay, I’ll stop.)
Was it all a bit TOO MUCH to open with? It certainly ran at you screaming and waving its arms, it was quite discombobulating in a way. It was also a new, fresh feeling way to open. Moffat does like to change things up. If RTD liked a series to have a familiar flow to it, Moffat is the opposite. Change is his familiar. It does make me wonder, if this is where we start, where the heck is this season going to take us next?!
Moffat’s Who is a big tangled mess of time, of cause and effect. This story was another dive into that sort of story. This can annoy some, confuse others, but I love it. No good or bad deed goes unpunished. You can’t just hop around in time for centuries without kicking over a few stools that you’ll end up tripping over later.
In terms of Moffat season openers, I’d currently place this above Asylum of the Daleks, and then… hmm…. possibly above Deep Breath? Nothing will usurp the Eleventh Hour, and I think The Impossible Astronaut thrilled me more completely on first watch. Let’s see how I feel upon second viewing, and after part two completes the story.
Oh, and remember when the first episode of a season was ‘New Earth’? Different show, mate. Different show.
DAVROS DAVROS DAVROS DAVROS. I LOVE Davros, okay? It’s been WAY too long since his last visit, and Julian Bleach was, once again, awesome. Unfortunately, the return of Davros was spoiled for me. A few hours before broadcast, someone found a pic of Davros and Twelve from the episode and tweeted it. Yes, some people really are total dicks. So a lot of the WAAAA?! OOOOH! OH MA GAAAAAAAAAAAD! of it all was stolen from me. But still… DAVROS.
The ‘hand-mines’. I mean, what on Earth? But also ‘wow’! And creepy as all hell. The opening, with young Davros, was wonderfully atmospheric and fantastical. It was Who meets a Del Toro film. Seems like Skaro had a taste for mixing weaponry and the organic even before Daleks were developed.
Speaking of which…. Skaro! That beautiful Dalek city. And we got some classic era Daleks, including that sexy swine, the Special Weapons Dalek.
“Unlimited rice pudding!” Oh, I did snigger when I heard that. Davros is obviously a fan of watching classic Who. Though only the stories featuring him, the big headed so-and-so.
CLIFFHANGERS! Are there many things more lovely than a Doctor Who cliffhanger? And how wonderful that this season is so two-part heavy, ‘cos it means we’re gunna get a butt-load of cliffs to hang from.
The look on the Doctor’s face when that wee boy tells him his name…. Did the Doctor play a part in making Davros who he is?
The old ‘You would make a good Dalek’ thread continues to develop, with the Doctor holding the pepperpots own weapon and preparing to ‘Exterminate’… or is he..? I have theories, people! (Basically, no, I don’t believe he’s about to frazzle Davros Jr.)
Capaldi, man. CAPALDI! Have we ever seen a Doctor take such a journey? Develop and change so much over the course of his run? This isn’t just the actor getting used to the role, this is purposeful development. We have moved into peak Twelve, he’s a Doctor fully bloomed. The difference between the short-haired, severe Doc in, say, Into the Dalek, and the one we have now. Talk about a journey. We get everything in here, the funny, the wildness, the dramatic chops, the sense of loss, terror, shame. Capaldi can do everything.
Playing Pretty Woman when he saw Clara. The charming devil.
The Master/Doctor relationship. He sent her his final confession! His best and oldest friend. (Missy. Master. Missy. Master. Can we just call her by her proper title, now? She’s THE MASTER)
Gomez was superb again. So bonkers, then cruel, then funny, then everything at once. “Davros is your arch-enemy now? I’ll scratch his eye out.” “How’s your boyfriend? Still tremendously dead?” She really gets some terrific lines, and Gomez delivers them all with aplomb. And, being the Master, of course she can’t resist attempting a bit of the old double-cross when Daleks and the TARDIS turn up.
The return of the hug agenda.
Colony Sarff was suitably creepy, gross looking, and the effect when his face twisted and he turned into a big ‘ol pile of snakes… coooooooool. And yuck. I bet that had a few wee ones shivering when they went to bed that night. (And was I the only one who couldn’t help but think ‘MARA!’ as the main snake reared up. Yeah, I knew it wasn’t. Didn’t stop me squeeing.)
Loved the Universe-wide jaunt, searching for the Doctor. Seeing the wider universe of Who.
The Doctor was afforded two different and equally ace entrance scenes. One dark, one pure, unbridled joy. Again, can you imagine early Capaldi rocking that axe? How far he’s come. And can you imagine any other recent Doctor getting away with that entrance? It just feels like it would be toe curling with Tennant or Smith attempting it…! At first I thought they’d thrown the switch too far the other way, but then Clara only went and addressed it and it was made clear just why he was behaving so. Good stuff.
There were a few edit and sound issues for me. Weird late cuts. Strange shot choices. Hard to hear lines. Stuff like that.
It was kinda a bit much to take in comfortably on first watch. I really feel like I need a second watch. I felt ATTACKED.
Didn’t it, you know, destroy more or less everything last time someone had the bright idea of blowing up the TARDIS?
Looked a bit parky in UNIT HQ. Health and safety in the workplace nightmare, that. Maybe consider an office relocation, before someone catches their death.
Kate Stewart. I mean. *shrugs*. Underplayed to a fault. I get it, she’s supposed to be normal, unimpressed, straight ahead, but come on, inject a little personality. A little *something*.
As I said, it reeeaaaalllly feels like an episode that I can’t fully contend with until I’ve seen the whole picture. So come at me, The Witches Familiar.
(I reckon I know haw Clara & Missy survive (Missy basically tells us earlier..!), and just what the Doc is about to do with that gun. I wonder if I’ll be right? I’ll let you know next time….)
Doctor Who is back, guys. DOCTOR WHO.
Like stories? Then click on the pic below, and sign up for a FREE BRILLIANT BOOK, written by me: